For most musicians, the story of their instrument starts the day they purchase it, but with Delgado Guitars, the story began long before. Manuel A. Delgado takes the time to understand your needs for an instrument and build exactly what you desire and his instruments are truly made by hand. You will not find CNC's, table saws, molds or even other employees at his shop, because the process is done from conception to completion by him. Manuel treats each instrument as an individual and respect his clients to offer them that special care, so when it finally reaches your hands, the story doesn't begin, it continues. Please let us know some of the special memories or stories of your guitar or ukulele, or Irish Bouzouki or whatever have created for you. Send us your story and answer the question: "Does your guitar have a story?"
Delgado and Me by John Schmidt
There's a picture down the hall
Of my buddy Delgado on the wall
I glance at it nearly every day
As I hustle by along my way
Someone I knew years ago
When life
was simple and the pace was slow
For so many others, but not for me
That's just the way I found it to be
We had some great times Delgado
and me
In the early sixties in West Germany
Delgado,he used to
always say
"God's gonna slow you down some day"
"That's gonna
happen,just wait and see"
"Then you'll recall these words from me"
The best of friends,that's what we were
Delgado and me,that's for
sure
"Gado" I said,I called him that
"I ain't gonna happen,not to
this cat"
Now he's gone,God rest his soul
And I've not slowed
down,not that I know
So whenever I pass his picture there
I slow way
down like I'm going nowhere
Since I know from heaven,he's watching me
And still he's saying"you wait and see"
______________________________________________
Dear
Delgado Family,
My fiance' taught himself to play the guitar by listening to one record over
and over when he was in collage.
Billy sat on the end of his bed with his inferior guitar gently cradled in his
lap and as the turntable spun and the sharp point of the needle ran across the
black vinyl clearing one complete turn... only at that moment would Billy stop
listening and lift the needle and try to play what he had just heard.
Needless to say, it was with great patience and the love and respect of the
deep tones and sound, which resonated from the guitar that allowed Billy to
continue to learn about the complexities of the instrument.
Now after celebrating his 69th birthday Billy himself stills studies the same
way. Never having learned to read music he still relies on his hearing to feel
the music.
That would most probably be much easier for someone that can hear well, but for
Billy he has not had the pleasure and the gift of full hearing sound for too
many years now.
Instead he relies on hearing aids and mostly the tone that vibrates up through
the guitar itself and into Billy's bones and soul.
Next year Billy will be 70, and even though I have only known him two years
what I see every night when he sits on his short whiskey barrel cradling his
guitar is amazing.
Billy worked as an engineer throughout his career and in his spare time played
the guitar and became a fine wood craftsman. He himself has re-built and built
guitars over his lifetime.
This morning we were watching a "BOSE" of all things infomercial and
saw you working on guitars and talking about sound. We too have a Bose system
and although it sounds fabulous it still does not give a person that has lost
so much of their hearing the satisfaction of vibration the way holding an
instrument in your hand and arms does.
So what might you be wondering is my letter to you about.
Well...a couple of things, for one thing a technical question. Have you ever
made or heard of a single piece back guitar? If so who what and where can I get
information about one.
And second, for Billy's 70th birthday, which is in March of 2010, I would love
to give him a new guitar made by a master.
I understand that you have this unique gift and talent to create beautiful
sounds through wood.
I am also sure that your talent and years of experience grant you a much
deserved fee for your instrument.
All that said, I am also sure that "IF" there would be the slightest
chance for me to purchase one of your guitars it would take me a year to save
the money in which to do so.
So I must rely on, "The Master of Tone and Experience" to choose the
best guitar for my Billy. What I can tell you is that Billy loves a guitar that
has a deep deep tone, one that he can feel the full vibration against his chest
when he plays and one that I know will bring tears to his eyes each night as he
sits on his whiskey barrel holding a creation made from wood bringing back
memories of his youth and dreams to accomplish the mystery of tone and sound.
Thank for taking the time to read my letter and hope that you will be able to
help me in choosing the guitar that will allow Billy to hear the music like he
could when he was in his youth.
until...
donna
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